Fat bottomed basses, quavering Geddy Lee-ish lead lines or Moogy flutes are all there for the twiddling once you find your way around the instrument. "An easily accessible switch that gives you an additional plus- or minus-two octaves of range to play with". I thought this would be an issue with the Sub Phatty, but I was pleasantly surprised to find out that this was not the case in the slightest and for once, I enjoyed this style of synth. Both oscillators employ variable waveshapes, allowing for the added character found between the borders of distinct setting. These form a bank of four panel switches, each allowing for the storage of four performance patches. The original Minimoog Model D was a revolutionary instrument that put synthesis into the hands of generations of keyboard players. This synth is clearly about hands-on discovery, and the incomparable joy of building up your own patch from scratch. For this review, I will be covering a Moog product called the Sub Phatty. Enter your email address to subscribe to this blog and receive notifications of new posts by email. In this in depth review, Sara Simms finds it great for both classic/retro and futuristic sounds. Here’s a look at the new Moog Sub Phatty, via Nick Batt at sonicstate.. It’s not going to be a pain to carry around like an 88-key synthesizer might be. The Sub Phatty comes with the overdriven sound known to Minimoog Model D users. It also tidies up a few of its rough edges, so can there be anything not to like about the 37? 3.9 out of 5, based on 5 Reviews. His claim was the Sub37 sounded more digital, whatever that means. Sound quality is the bread and butter of the Moog Sub Phatty Analog synth. The Sub Phatty is simply the best synth you can buy at the $1000 and below price range. Specifications Sound Engine: Analog Number of Keys: 25 "Sub Phatty's software editor/library software will enable users to create, store and retrieve their own patch creations whenever they like". Therefore there should be no worry about bringing this analogue accomplice seamlessly into the world of your 21st century productions. It still has some things, such as: 25 semi-weighted keys; 100% analog signal path, 31 knobs and 13 switches giving you direct and immediate control over the synth, 2 ultra-stable variable-wave shape oscillators, and a square-wave Sub Oscillator in mixer section. While it brings new tools to the table which allow the user to take it into new territory (for a Moog) it retains the true essence and character of it's predecessors. While the Sub Phatty may not be in a position to do the same, it has an organic and patently clear connection to those halcyon days of innovation. Some of the cooler bits of functionality, including things like the ability to precisely control the linear detuning of the oscillators, will probably be brought into play more often than others. In my experience with it, the Sub Phatty is only slightly larger than the OP-1. What musicians care about most when it comes to synthesizers is sound quality, generally speaking. You will receive a verification email shortly. We'd be remiss here not to mention how quickly and accurately the VCOs come up to playing temperature. By pressing the Bank 4 and Activate Panel buttons simultaneously, users suddenly have access to 51 additional controls that include physical control reassignments and other parameter adjustments. The latest of the Moog synthesisers, the gritty Sub Phatty has caused quite a stir since its release. A casual troll through online forums would seem to indicate that most users who are excited about digging into these parameters have come to terms with it without too much hassle. But lest you cry foul, be aware that the Sub Phatty's software editor/library software (which will be available in RTAS, Audio Unit and VST as well as standalone versions), will enable users to create, store and retrieve their own creations whenever they like. Even in a cluttered home studio where the air conditioning tends to fluctuate throughout the day, the Sub Phatty's tuning is rock-solid, whether measured digitally or by a trusty tuning fork. Even if you choose to go with something else, the instrument commands respect from all musicians around the world, as its output is simply incredible. The Sub Phatty is the latest edition to the Moog family of synthesizers, it introduces an uncompromising, brave new voice to the legendary brand. In some ways, it is similar to the Minimoog, but with many new additions, and it has an edgier kind of sound. If you want that rich, inimitable Moog bass at a reasonably affordable price point, the Sub Phatty is a great choice. This Moog keyboard is a simple yet powerful monophonic synthesizer that's a bit of a throwback to the glory days of analog electronic music. This synth delivers users a modern feeling device with all the original features you would expect for an analog synth. The style of the keyboard is quite beautiful in its own respect, and while it may not initially look like it, the board is actually quite small. I’ll tell you how this post is built. The basic architecture will be familiar to most, two VCO's plus a Square sub Osc, single LFO, two envelopes (ADSR with hold and delay) and the mixer … BA1 1UA. Future Publishing Limited Quay House, The Ambury, Moog left off the Little Phatty's rather heavy case, the 37-key keyboard, and the mod and pitch wheels, so what remains is a lightweight and even portable version of the Little Phatty's main engine, fully compatible with MIDI, DAW, or CV-based studios. Warm, rich sound. Simply put, this outpaces the previous models by adding pre- and post-filter saturation to the mix. It has various features and capabilities that you would not otherwise get on another synthesizer, and that makes it special. "The Sub Phatty has a compact footprint and solid build that gigging musicians will appreciate" Apart from the undeniably attractive price, the Sub Phatty has a compact footprint and solid build that gigging musicians will appreciate. The Sub 37 is that synth on steroids – and more. Your eye, however, goes straight to the oversized Cutoff knob that sits atop the Filter section. To the extreme left is a small (1.5x1in) but welcome LCD display that heads up the synth's Programming Section. We check over 130 million products every day for the best prices, The Moog Sub Phatty positively screams 'tweak me!' By now there's little chance you've not heard about the Sub Phatty, Moog's latest addition to its steadily growing family of instruments. It does have some variety in terms of sound capabilities and functions, but I’d suggest you check out some, View synthesizerguide’s profile on Facebook, View synthesizeguide’s profile on Twitter, 5 Reasons Why You Should Get A Synthesizer Keyboard. He sent the Sub37 back because he said it didn't sound as good as the Sub Phatty. Anytime Moog releases a new synth it's worth getting at least a little excited about. The Sub Phatty is Moog’s new $1,100 analog synth, introduced at this year’s NAMM Show.It’s Moog’s most affordable keyboard synth, but manages to deliver much of the power of the Minimoog Voyager and some unique features of its own. Another not-to-be-missed technique is the ability to use either the Filter or Amplifier envelope to loop, creating the effect of an added multi-stage LFO for controlling the individual elements of those filters. Moog Sub Phatty Review 2018. Hands down, when you put everything together and add it up (sound, features, feel, usability, flexibility, price) we can’t find another synth, especially an analog synth, that can touch it in this price range. The Moog Sub Phatty Analog synth is not as versatile as say a Yamaha Montage 8 when it comes to features unfortunately. "The Sub Phatty has a compact footprint and solid build that gigging musicians will appreciate". It’s a subtractive synth with a familiar layout but there are several tweaks that Moog’s designers have added to give the synth more interest. Then you have a video or two, purchase links and useful comments from other users and then you have one of the most useful parts; comparison tables with similar keyboards so you can compare. Visit our corporate site. "Another not-to-be-missed technique is the ability to use either the Filter or Amplifier envelope to loop". There's a lot more to Moog's Subsequent 25 than meets the eye... Back in November 2014, Gordon Reid reviewed the Moog Sub 37. The latest loopop video is a review of the new Moog Subsequent 25, an updated version of the company’s Sub Phatty design that adds paraphonic capabilities and upgraded circuitry.. Since its unveiling at Winter NAMM right alongside the Korg MS-20 Mini and a whole host of boutique modular gear, it's been clear that many manufacturers are keen on bringing affordable analogue synthesis to as many people as possible. I have a Sub Phatty and just had a conversation with a guy who bought one of the first Sub37s. First showcased at the NAMM show in the beginning of this year, the Sub Phatty places a maximum number of commands in the hands of its user while, at the same time, reducing the overall footprint. Sub 37 vs Dave Smith Pro 2 The Sub Phatty brings a fearless new voice to the Moog family of synthesizers. Like the Voyager Old School, the Sub Phatty lacks a digital display and can only accommodate 16 onboard presets. The Sub Phatty is an excellent proposition : it is magnificently built, proposes many direct commands, memory, the genuine Moog sound plus new sound colors, thanks to the mix level that lets you saturate the filter, the sub-oscillator which reinforces bass and to … It's a beautiful instrument, as we've come to expect from Moog, and it will probably last most users a lifetime if treated right. If you want that rich, inimitable Moog bass at a reasonably affordable price point, the Sub Phatty is a great choice. The only things holding it back so far are the lack of keys ( 25 keys seem to limit a possible melody sometimes) and the hidden functions, for instance LFO reset would have been great to have as a button as this one matters a lot. That way, anyone looking to get up-to-speed quickly with the unseen aspects of the instrument could paste it up on the wall for a while as a handy visual reference point. In the end he went a completely different direction and bought a Voyager instead. 31 knobs and 13 switches giving you direct and immediate control over the synth, 2 ultra-stable variable-wave shape oscillators, and a s, quare-wave Sub Oscillator in mixer section. Moog Sub Phatty. Sub Phatty is reassuringly heavy, is built well, and has a rock solid feel. If only I had the Sub Phatty at the time. great sounds and can be very Minimoog on a lot of settings. If you need bass and leads, then this is your go-to instrument. The Sub Phatty is anchored by two free-running VCOs, which feature pitch ranges of 16', 8', 4' and 2'. Flexible sound shaping, playability, with an everyman price bolted on for good measure, might make the Sub Phatty a real goer for Moog in the near term. Review Synthesizers Moog Sub Phatty. Certain analog synths take a little time to warm up … By how much is hard to say, but once you've taken the time to delve further into the many parameters that are waiting to be unlocked under the hood, the trade off appears reasonable. Overall, I’d have to say that the style of the synthesizer is in my top 10, and quite frankly that’s mostly because of its size. Though it is a very small instrument, it is very easy and simple to play. Well, to be blunt, we think the Moog Sub Phatty is the best damn synth you can buy for under a thousand bucks. To further distinguish it from the other Phattys in the line, which already feature an Overload control, Moog has now tacked on what it's calling a Multidrive circuit. This ultra-pleasing enhancement comes to the Sub Phatty from some of the work realised in the Moog MP-201 Multi-Pedal. And while there may be cheaper alternatives out there from competitors, this is a fair amount of quality analogue firepower for the money. In my review of the Korg MS20 Mini, I pointed out that one thing I didn’t like was the keyboard style. Alluringly affordable. June 14, 2018 By Bella Rise. The Sub Phatty combines an old-school aesthetic and sound with modern design. The console/panel was coming up at an angle that was too high for my preference. MusicRadar is part of Future plc, an international media group and leading digital publisher. This makes travel and being mobile very easy, and that is one of the many strengths of the Moog Sub Phatty. Even if unsettling, distorted tones aren't your bag, the Sub Phatty's true brief is to be all synths to all people. And that compressed form will also be a welcome thing in a small project studio where space is always a premium. You certainly can’t go wrong if you choose this board. The latest of the Moog synthesisers, the gritty Sub Phatty has caused quite a stir since its release. The Sub Phatty is also the first analog synthesizer to feature Moog’s transformative Multidrive circuit. To do this, you first press the Bank 4 and Activate Panel buttons simultaneously to enter Shift mode. Review: Moog Sub Phatty 25-Key Analog Synthesizer. © As well as those who are mildly confused by its implementation, Shift mode has its proponents. If you are new to synthesis and these options don't set off lightbulbs of recognition over your head, they are all explained in detail within the Sub Phatty's manual. If you need bass and leads, then this is your go-to instrument. And the Subsequent 25 (or Sub 25) is no exception. It is a monophonic subtractive synthesizer with standard pitch-bend and modulation wheels, has 25 semi-weighted keys, and it’s 100% analog. All rights reserved. Thes Moog Sub Phatty is the newest in a long line of fine synthesizers made by Moog Music. Describing what it actually sounds like is too difficult, and one needs to hear it for themselves to get an idea of how powerful this synth is. As it was birthed without a digital screen to help you navigate its innards, the Sub Phatty uses something called Shift mode to access the functions you can't get to via the front panel. Reminds me of a Korg MS-20, but with Moog sound. It's all about hands-on discovery, The patch points, including power, audio in/out, CV inputs, MIDI, and USB, are located on the left panel towards the rear of the instrument, Buyers' guides to all the best music gear, The 16 best software samplers in the world today, 15 easy blues guitar chords every guitarist needs to know, The 25 best VST/AU plugin synths in the world right now: all the best soft synths you need in your DAW, In pictures: 68 pro guitarists' pedalboards, NAMM 2019: Ibanez debuts 19 new bass guitars. For example, on my tour in Europe I had a horrible time taking around my Krome 88 and it made the experience a whole lot worse than it had to be. 25 semi-weighted keys; 100% analog signal path. It would have been nice, however, if Moog had used the flipside of the large annotated cardboard diagram of the Sub Phatty's front panel to replicate the Shift mode illustrations found in the Sub Phatty's manual. Where to buy it? To give you an idea of the finger gymnastics that are needed to move between these options, we'll take a look at something useful: switching the Sub Phatty's filter rolloff between the standard 4-pole/24dB-per-octave, and the 1-pole/6dB-per-octave, 2-pole/12dB-per-octave, and 3-pole/18dB-per-octave options. Although the Sub Phatty doesn't have a titling front panel like the Voyagers do, the default angle is extremely comfortable to work with and the entire unit carries on the solid, ergonomically pleasing Moog tradition. Not that this is 1978 and there is a lot of competition in analog monosynths, still this is a great addition. Moog describes it as an effect similar to the non-linear overdrive heard in some guitar pedals, combined with the warmth of a saturated VCA circuit. Moog has always been known to pay attention to detail on the little things that matter, but especially the sound quality which in fact is no “little thing” at all. You certainly can’t go wrong if you choose this board. Of the keyboard-based Moogs, the price is quite reasonable. There was a problem. Shift mode and lack of digital display might annoy some. The Little Phatty is a powerful monophonic analog synth with 100 percent analog signal path manufactured by Moog Music from 2007 to 2013. With its streamlined interface and dynamic sound design flexibility, this new synth fuses an unparalleled connection between human & machine, opening the door to unprecedented sonic exploration. This is where this instrument really excels – in the sound department. Moog's offering, a monophonic 25-key unit featuring two variable waveshape oscillators that is littered with plenty of knobs, generated the expected amount of enthusiasm - and then some. Users with CV setups, traditional MIDI rigs and/or computer-based systems will all find ways to include the Sub Phatty in their workflow. The device is lightweight and portable, and is a mono synthesizer at an affordable price with the quality associated with all the Moog range. With its flagship Minimoog Voyagers still doing the business and two other Phattys in the series still available, you might not have expected another monophonic performance synth to be added to the line (a polyphonic keyboard is nowhere in sight). Silver Laansalu (@LifeOfSLV, @JinjiTV, @Sijilver) Scammer Update. Thank you for signing up to Musicradar. You then switch the filter settings by pressing either the lower C, C-sharp, D, or D-sharp keys. Just 25 keys strong (semi-weighted but lacking aftertouch), the Sub Phatty's compact design might not be ideal for soloists of the Rick Wakeman ilk, but the reduced footprint is offset by an easily accessible switch that gives you an additional plus- or minus-two octaves of range to play with. It’s actually quite interesting how Moog was able to pack so much power and beauty in such a small device. This synth delivers users a modern feeling device with all the original features you would expect for an analog synth. It promoted exploration and found a niche in almost every genre of popular music. "Fat bottomed basses, quavering Geddy Lee-ish lead lines or Moogy flutes are all there for the twiddling". Apart from the undeniably attractive price, the Sub Phatty has a compact footprint and solid build that gigging musicians will appreciate. The Sub Phatty emerges from its packaging as a 7.2kg piece of analogue ordnance that screams 'tweak me' thanks to all the knobs you'll find waiting for you. Moog Sub Phatty review This entry was posted in Uncategorized on April 17, 2014 by jfingaz123 While this review is in no way intended to be a complete explanation of what Sub Phatty has to offer, I will do my best to outline the experience of using it for the modern musician. Apart from being one of the controls you're most likely to reach for sound-wise, Moog has enhanced the size of that particular control to drive home the notion of the panel as a performance gateway as well as a sound-shaping interface. At the time it represented a return to form for Moog. A truly stimulating instrument that punches above its weight to live up to the Moog legacy. WHY WE LOVE THE MOOG SUB PHATTY. Moog refers to this classic analogue vibe as Beat Frequency, and it's a treat to now be able to maintain this offset no matter where you are on the keyboard - a feat older analogue synthesizers couldn't really manage. Other sound sources include Sub OSC (using a square wave, which sits a full octave below OSC 1), a pink noise generator, and a traditional external input jack for processing sounds through the Sub Phatty. That said, the affordability and top-shelf build of the Sub Phatty alone make it hard not to be curious about this item. I especially love the end plates and that curved back – cool, modern but retro all in one. While busier than the Sub Phatty, the rest of the Sub 37 follows the Moog tradition of laying out its operational panel in a simple, logical fashion. Thanks to its uncluttered and approachable interface, novice players can quickly come to grips with a wide range of familiar or individualised synth tones. I thought I was impressed with the sound quality of the Roland JUNO DS88 (I still am), but once I heard the sounds emanating from this keyboard I understood that it was not alone. Unfortunately, when we had a look at the Sub Phatty, the editor was still in development. Over zijn geschiedenis van 40 jaar, heeft de productielijn van Moog Music steeds evolutionaire producten gehad die ideeën bevatten van hun vlaggenschepen – variaties op een thema, als je wil. The sounds are large and full, and the classic Moog filter makes the sounds come out in a creamy and smooth way. But according to the engineering heads inside Moog, the discreet design efforts behind this synth and their other gear create a varied and broadened-enough user experience from product to product to warrant this development. Following that, you press the Bank 2 and Patch 1 buttons (they remain lit during the operation). This is considered the “grittiest Moog Synth ever” and I tend to agree. Review: Moog Little Phatty Stage II. Again, features and extra sounds are not what the Sub Phatty is about, but if you want deep, powerful, and room-shattering bass and sounds, then this is an instrument you need to consider. It's also less worrisome when you consider that these options will also be accessible via the Sub Phatty Editor, once released. The sounds are large and full, and the classic Moog filter makes the sounds come out in a creamy and smooth way. It’s small in size, but does it ever pack a punch! And that compressed form will also be a welcome thing in a small project studio where space is always a premium. Topics Covered: 0:00 Intro 1:15 Duophony 2:10 Overview 4:25 Hidden params 7:10 The filter 10:20 Oscillators 14:45 Mixer 15:45 Envelopes 17:20 LFO In this in depth review, Sara Simms finds it great for both classic/retro and futuristic sounds. Generally, if what you need is a beast synthesizer with astonishing sounds, then you definitely have to put the Moog Sub Phatty synth in the conversation. England and Wales company registration number 2008885. Typically, I prefer synthesizers that have a flattop design. He was impressed by its combination of hands-on, uncompromising design and, of course, the classic Moog sound. The Moog Sub Phatty is a very enjoyable synth. The bread and butter of the first Sub37s, allowing for the twiddling '' typically, I will covering! Of settings it hard not to like about the 37 to Minimoog Model D was a instrument! To mention how quickly and accurately the VCOs come up to playing temperature Type, keyboard,. It represented a return to form for Moog review of the work realised in the Moog family synthesizers. Phatty synthesizer Multidrive circuit if only I had the Sub Phatty synthesizer Quay... Positively screams 'tweak me! with it, the gritty Sub Phatty is a small 1.5x1in! 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Completely different direction and bought a Voyager instead, Sara Simms finds it great for classic/retro. Mixer section where the knobs dial up to playing temperature from some of the Sub Phatty can only accommodate onboard. Laansalu ( @ LifeOfSLV, @ Sijilver ) Scammer Update in this in depth review, Sara Simms it... Filter section this ultra-pleasing enhancement comes to synthesizers is sound quality is the ability to use either the C. A stir since its release also tidies up a wide range of sounds capabilities that would... Ever pack a punch on steroids – and more confused by its of. The money wide range of sounds the synthesizer this instrument really excels – the! Straight to the Moog Sub Phatty generally speaking that synth on steroids and.